KAYLA GREENSPAN is a theatrical producer with a focus on commercial Broadway. Her Broadway credits include: Maybe Happy Ending, Cabaret (Tony Nomination), Hadestown (Tony Award and Drama League Award), The Heart of Rock and Roll, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch (Tony Nomination), Once Upon a One More Time, Bob Fosse’s Dancin’, Pictures From Home, Ohio State Murders, A Christmas Carol, KPOP, The Kite Runner, A Strange Loop (Tony Award and Drama League Award), The Little Prince, Chicken & Biscuits, The Inheritance (Tony Award, Drama Desk Award and Drama League Award), Slava’s Snowshow, Frankie and Johnny in the Clair de Lune (Tony Nomination), Gettin’ the Band Back Together, Once On This Island, Anastasia and Deaf West Theatre’s Spring Awakening.
Off-Broadway: Little Shop of Horrors (Drama Desk Award and Drama League Award) and Daddy Long Legs.
Film: Executive Producer for A Christmas Carol, and Beau (IndieFest Best of Fest and Humanitarian Awards, Dances with Films Industry Choice Best of Show Award).
Album: Executive Producer for The Heart of Rock and Roll.
Kayla is Managing Producer at TBD Theatricals and the Director of Investor Relations for the Broadway Strategic Return Fund, an investment vehicle dedicated to maximizing shareowner returns in the Broadway space.
She has produced benefit concerts for GLAAD (Broadway Gets GLAAD) and The Trevor Project (Say My Name). She has been a mentor for the NYU Tisch Drama Women’s Mentorship Program. For 5 years Kayla was a judge for SHENYC, a festival dedicated to supporting the creation of new works by female writers and composers. Previously, she was the Managing Director of the Davenport Theatre and Ken Davenport’s Producing Associate. Kayla also previously served as the Director of Operations and Director of Marketing at ARTech Holdings, an incubator and holding company focused on generating technologies to support the live arts community.
Kayla earned her bachelor’s degree from NYU in Secondary Education with a concentration in English (Steinhardt School of Culture, Education, and Human Development) and in The Business of Entertainment, Media and Technology (Stern School of Business and Tisch School of the Arts).
